The One Who Waited
When the light thins, what remains is what was always there.
Author’s note:
This piece is a conversation with the imaginative “I”—the interior witness and conscience that accompanies us quietly through a lifetime.
Author’s note:
This piece is a conversation with the imaginative “I”—the interior witness and conscience that accompanies us quietly through a lifetime.
Note:
Windlass [Pronunciation WIHND-luhs]
Meaning: (Noun) A device for lifting or hauling, using a rope or cable wound around a cylinder.
Verb tr.: To extract, lift, or bring forth with deliberate, steady effort.
Sometimes silence is the most protective act of love. It is mostly neutral, though not always. Often it extracts payment. We survive it by pretending otherwise.
A magnifying glass can braid sunlight into a narrow, concentrated point, compressing what was already there until heat becomes inevitable. The heat burns and it is not a surprise; it is the law asserting itself once conditions are right. Sometimes the universe narrows the same way: to the width of two heartbeats, to the moment when the membrane between two human beings thins until it is almost imperceptible.
At a fortunate moment, standing on a coast, the sea may take hold of you—offering not a destination, but the idea of one, something like Shangri-La. Here, it is the Pacific.
There is a word in Japanese—ma—that means the space between things. Not emptiness, but the pause that gives shape to sound, the breath that defines the note. In Kumiko, a traditional Japanese woodworking technique, space is everything. Intricate patterns emerge without nails or glue, forming shoji screens where light and shadow braid together.
Author’s note:
Author’s Note:
This piece follows an earlier meditation on time as motion—planetary, seasonal, indifferent to witness. Here, the scale narrows. What was once orbit becomes pulse; what turned without us now turns within us. These are not sequential arguments, but adjacent ways of listening.
As we age, hair falls and returns—until, one day, it simply does not. Skin renews itself silently, like a hidden clock. Nails rise from their beds as if unwilling to yield to time. Even taste—our most fleeting sense—reinvents itself every ten days, restless for something new. Only the spine lingers, stubborn and still, guarding the echo of who we once were.
Without warning—here again—a landscape of unbounded barrenness. A blasted expanse where color has bled dry. The ground itself giggles like a hyena while the air thickens into a fugue of despair, a festering vapor rising from unseen graves. This land shackles my ankle; everything conspires to make the world unreachable, to turn clarity into murk. Has any soul ever learned to live with the gnawing poverty of affection, care, or love? With the unending cycle of sickness? These specters have chewed at me without mercy for as long as my memory survives.
Once, when I was barely more than a baby, I lived as an uninvited guest inside my own skin, a stranger wandering the rooms of a body marked by an unnamed malady. A quiet fracture in the flesh, an invisible seam — yet no one in my family ever traced its tender line or laid a word along its edge. When our anguish goes unnamed, we hang it on a small metal thought, a rivet in the mind, hoping the act might bless the hurt into meaning. But the ones I called home wrapped it in silence instead, as if it were a brittle heirloom kept in the dark corner of a drawer — an inherited conviction that anomalies fade when left unattended long enough.
The lingering maiden moon, harbors no wish for miracles, no faith in angels to anoint its slow awakening into fullness. It glides along a script written in invisible ink, long before memory—a prophecy of light, silence, and obedience. The Santa Ana winds surge without care or conscience, without repentance. What they touch, they scatter, leave beauty and ruin intertwined. White light bends toward red as it curves past a massive star, drawn by the gravity it cannot escape—like a soul bleeding under the weight of what the universe demands of it.
In my mind, there are tiny, bead-like elements of opinion—minute seeds of faith and doubt that compose the hidden skeleton of identity. They slipped in without announcement and melted over years of living, grief, imitation, and defiance. Over time, they fused into an intricate, invisible lattice of thoughts, hardened into an architecture of assumptions and certainties. Some sparkle with a strange, ageless light; others lie neglected, exiled to the dim outskirts of awareness, yet still shape the way I move through my world. It is, usually, a different world than the one you would notice.
When I must justify an action or intention—a desire or a hesitation—I reach for these beads and begin to string them. A garland forms, fragile yet insistent, and it wraps around me, whispering, “This is who you are; this is why you do what you do.” But not every bead can bear daylight. Some appear corroded, their surfaces flaking with old fear, old imitation, old obedience. Their tarnish confronts me with uncomfortable truths. So I take up a brush fashioned from my present understanding of life and start to paint over it. At times, I choose the bright hues of trendy ideas; at other times, I lean toward the subdued tones of introspection. In this private ritual, I enter a wordless dance with myself—the self that was, the self that is becoming—and I paint until the colors match the desire of the moment.
As time passes, these ideas feel less like beads and more like fat cells, swelling beneath the skin of my consciousness. They cling to the excess: borrowed opinions, hand-me-down creeds, ill-fitting certainties I once adopted in the name of prudence or belonging. Layer by layer, they thicken until the weight of carrying them grows almost unbearable. To lighten myself, I wield dissent and experience as chisels, carving and scraping and paring away the surplus until something leaner, more honest of myself, begins to emerge—trembling but unmistakably alive.
No one knowingly courts a life shadowed by regret. We set out to choose wisely—for the right cause, for the right person, at the right moment, with the right heart. Yet regret slips in like frost through a windowsill, inevitable even in our purest purposes. Being wrong brings a sharp toll. The greater loss, though quieter and harder to name, is to refuse to choose at all. The danger lies less in missteps than in the stillness that masquerades as safety, a hesitation renamed as virtue —admired from afar, but hollow at the core.
A ghost holds me captive in conversations! It has no shape, scarcely any objective sentences in our discussion, yet its voice glides through my mind, clear as glass, firm as facts. It never speaks aloud, sometimes only a residue of faint echo, yet the consequence presses upon. Our exchanges are fraught, each one sapping me until weariness seeps into the marrow of my will. Every dialogue sets my skin aflame with anguish. Anxiety unmoors me, and I chase the horizon as though I could outrun my shadow, flee the dusk, and burn in the mercy of the sun —but it clings to me, unrelenting.
**On that typical summer morning, **when you woke, the bright sun seemed not to have moved since the day before. Everyone else still dreamed. With half-shut eyes, you floated barefoot to the restroom. The unfamiliar reflection in the mirror shocked you—you were losing the “you” that had always been a trusted companion. You squinted to absolve the trick of sight, but vision held steady; the disappointment was not optical—it was inward. What you saw was true. A dispiriting weight held you in place. Time had turned traitor. You had believed otherwise. The key to your quests was still missing, and the clarity of how things ought to be now seemed worthless. Your breathing grew labored.
I move through my days half-awake, drifting with the ripple of habits. The world watches with patient eyes—wide, silent, unblinking—even through the dark. Each small motion, each weary effort, plants the seed of who I become; too often, I forget this. What should I be doing instead? The question burns, for I already know too well what I should not be doing—a list absurdly long, a pall I dare not confront. Perhaps it will fade if I look away long enough—an idea I confuse for mercy but closer to delusion.
A solitary life offers a rare freedom: it lifts the burden of constantly weighing alternatives. As the impulse to consider every option fades, life softens—no longer frozen in hesitation. Decisions arrive like quiet rain, steady and unforced. Action flows, and awareness sharpens into stillness. The familiar self-talk of endless “should” and “shouldn’t” loses its grip, and the mind, once divided, comes to rest in presence. The “what ifs” dissolve, and the moment stands whole—needing nothing, becoming everything.
The wind in springtime—always a nomad soul—wanders over shrubs and hedges, over brick-covered roads that remember a thousand footsteps, over prairies that stretch like open palms, and meadows soft as a dream. It roams as if searching for a long-lost companion from yesteryear. Along the way, it gathers a few dry leaves from recent seasons to hear worn-out tales. With a sudden rush and a whooshing tune, a swirl of sand leaps into its invisible lap, ready for a joy ride across the changing landscape. Beneath their joyousness, the sun breaks. Its warm palms caress winter-wrinkled skin, peeling winter rust from the quiet bones beneath.
Stillness feels like suffocation when you’re running from yourself; motion becomes your only form of devotion, the rhythm that keeps your fears from catching up. Each stride feels like a small act of salvation, a way to blur the edges of what you can’t face. But the earth is round, not endless—a quiet, patient reminder that every arc curves homeward. However far you go, your shadow travels too, until its circle closes and you find that what you fled was always waiting within you, the self you can no longer outrun.